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This new conversation included abstract or abstracted subject matter and sharply departed from traditional outdoor materials, especially by embracing modern and painted metals. Although the creation of outdoor memorials to war heroes and prominent public figures was well established historically, modern artists sought to engage in a different type of dialogue with the public in cityscapes and landscapes. Photo: Abigail Mack.Īs an extension of the groundbreaking abstract art movement of the early twentieth century, many artists in the second half of the century felt the need to create artwork that could be displayed outside of traditional gallery and museum spaces. Artwork: © 2016 Calder Foundation, New York/Artists Rights Society (ARS). Links to Cultural Heritage Policy DocumentsĪlexander Calder's Flamingo on permanent display in the Chicago Federal Center Plaza alongside the Mies van der Rohe buildings.Conservation Collection at Research Library.Research Assistance at GCI Information Center.
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GCI Reference Collection (for materials analysis).Color Science and the Visual Arts: A Guide for Conservators, Curators, and the Curious.Scholar Applications Now Being Accepted.Recent Advances in Characterizing Asian Lacquer.Conservation Planning and Concrete Conservation Workshops Held.GCI News: Projects, Events, Publications & Staff.Creation, Conservation, and Time: A Discussion About Modern Paints.Manufacturing Artist Paints: Keeping Pace with Change.Modern Abstract Art in Argentina and Brazil.Unlikely Synergies: How Paints Formulated for Military Assets May Save Outdoor Painted Sculptures.Recent Developments in the Cleaning of Modern Paints.Conservation Perspectives, The GCI Newsletter.Archaeological Site Protection & Management.